The poet Jane Hirshfield recently came to my attention. Imagine Mary Oliver with an edge, steel in her veins. I’m most of the way through Hirshfield’s new collection, The Asking, which draws from her work dating back to 1972 and includes her newest poems. She seems to me the perfect poet to spend some time with in this dark, glossy autumn, with its bright afternoons…

 

Button

It likes both to enter and to leave,
actions it seems to feel as a kind of hide-and-seek.
It knows nothing of what the cloth believes
of its magus-like powers.

If fastening and unfastening are its nature,
it doesn’t care about its nature.

It likes the caress of two fingers
against its slightly thickened edges.
It likes the scent and heat of the proximate body.
The exhilaration of the washing is its wild pleasure.

Amoralist, sensualist, dependent of cotton thread,
its sleep is curdled like a cat to a patch of sun,
calico and round.

Its understanding is the understanding
of honey and jasmine, of letting what happens come.

A button envies no neighboring button,
no snap, no knot, no polyester-braided toggle.
It rests on its red-checked shirt in serene disregard.

It is its own story, completed.

Brevity and longevity mean nothing to a button carved of horn.
Nor do old dreams of passion disturb it,
though once it wandered the ten thousand grasses
with the musk-fragrance caught in its nostrils;
though once it followed — it did, I tell you — that wind for miles.

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In Praise of Coldness

“If you wish to move your reader,”
Chekhov wrote, “you must write more coldly.”

Herakleitos recommended, “A dry soul is best.”

And so at the center of many great works
is found a preserving dispassion,
like the vanishing point of quattrocento perspective,
or the tiny packets of desiccant enclosed
in a box of new shoes or seeds.

But still the vanishing point
is not the painting,
the silica is not the blossoming plant.

Chekhov, dying, read the timetables of trains.
To what more earthly thing could he have been faithful? —
Scent of rocking distances,
smoke of blue trees out the window,
hampers of bread, pickled cabbage, boiled meat.

Scent of the knowable journey.

Neither a person entirely broken
nor one entirely whole can speak.

In sorrow, pretend to be fearless. In happiness, tremble.

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Three Times My Life Has Opened

Three times my life has opened.
Once, into darkness and rain.
Once, into what the body caries at all times within it and starts
to remember each time it enters the act of love.
Once, to the fire, that holds all.
These three were not different.
You will recognize what I am saying or you will not.
But outside my window all day a maple has stepped from her leaves
like a woman in love with winter, dropping the colored silks.
Neither are we different in what we know.
There is a door. It opens. Then it is closed. But a slip of light
stays, like a scrap of unreadable paper left on the floor,
or the one red leaf the snow releases in March.

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For more on Jane Hirshfield: See PoetryFoundation.org.

Photo of Jane Hirshfield from PoetryFoundation.org

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